Intuitive Jin Zhunzhi's works, "broken branches," depict flowers that do not appear as a whole plant, appearing in a "cross-cultural" way of existence. The business composition method of Mijue Junya in this Chinese flower and bird painting system, referred to as the "branch breaking method" in art history narrative, was adopted by Jin Zhunzhi's recent creations and introduced into his logical structure of visual art restructuring to re-enter a contemporary visual occurrence. If "literati painting" has a strong attribute of "elite art" as a form of "literati painting" in the classical semantics of art history, then in the evolution of "post historical" logic, the original meaning of "elite" may become a "popular element" for public consumption with changes in social and cultural order, creating a peculiar relationship between historical elitism and current public derivative attributes.
——Wang Meng
