The group exhibition "OBJECT SHADOWY" is the 10th Beijing Huimin Cultural Consumption Season One of the key activities
PREFACE
Curated by / Meng Ye
Have you ever been curious about the shape of the wind? Should it be a curly ripple or a diffuse ripple? Have you ever been curious about the shape of light? Should it be a scattered point or a stretch of silk? In Junjie Jin's works, a gust of wind and a ray of light appear in a blurred image under the shadow. He stacked and buried the time and space with color, and then carved a picture with slightly paused lines, and a hazy time flowed.
Throughout the exhibition, the works of two artists, Hongyi Zhuang and Ziyu Ge , formed a strong sensory contrast. Hongyi Zhuang's works are strong and full of vitality, presenting a dreamlike phantom. On the contrary, Ziyu Ge's works are restrained and quiet, and each stroke seems to be practice. Although the two artists have very different representations of things, they both make good use of angle changes to show completely different color experiences and visual illusion effects in a work.
There is a difference in the meaning of Zhengquan Tong's works with the other three artists. His eyes do not focus on objects and objects, but on the objects themselves. His works realistically reproduce ordinary things in life and do not have a strong cultural definition. Because we can't derive connections from the picture, we have to return to the object he described. Zhengquan Yuan's works once again let us return to the discussion of things and reproduction, life and art.
Curator / Meng Ye
Producer / Brenda
Planner / Hale Andy
OPENING CEREMONY
It is a great honor to feel the happiness brought by art with friends on such a festive day. I am engaged in the interior design industry. In recent years, art has entered our industry more. I think this is a very big trend. When I look back on the decoration more than ten years ago, the space display and display are still mainly plastic arts.
Slowly, with the maturity of contemporary art, as well as the maturity of our design industry and the development of society. We have seen more and more young people blending art and design out of their own personality and pursuit of art. This makes me very happy. Art can provide a better sense of experience for our space, which is also the unique sense pursued by the design industry itself. So, I think this "unique feeling" is very important both as a designer and as other industries. It is a very exciting thing to have the works of art that you love in this era.
When I first saw the works in this exhibition, my first feeling was "amazing". Teacher Hongyi Zhuang’s works condense all the beauty of nature into one work. In these works, I saw the momentum of a creator. I saw the technique of the farming hand, because the flower itself is the creation of nature. Its color is so beautiful, and the artist can condense the ever-changing colors together, which is enough to shock us. In addition to the first amazement, I will also have a designer's instinct. Although Mr. Zhengquan Yuan's work depicts paint, in my opinion, it is more like a melting rock, with a sense of power and mystery in a specific space, which is enough to become the soul of space. Mr. Ziyu Ge's work reminds me of the ancient screen, and its idea of spatial division and division has inspired me a lot. Teacher Junjie Jin's condensed performance of daily life is so unique and full of aesthetic interest.
Today's artists are no longer as arrogant and ignorant as they used to be. They use their own creations and techniques to make us feel that our choices are so unique, and we hope to have better communication with artists. Finally, I also wish this exhibition a great success.
Hello everyone, I'm from Yongle International Auction. The auction industry is mainly in the category of the secondary market. For works in the primary market such as galleries, our auction company has always had very strict audit standards. But I think all the works presented by the Common Art Center are in line with the current trend and our standards. I think the overall quality of the works of the Common Art Center will occupy a mainstream position in the future market. So, I hope and thank all our young collectors who came to the scene for paying attention to the common art center. Our Yongle Auction will continue to pay attention to all the works of art of the Common Art Center, and we look forward to bringing us a better artistic experience.
First of all, it is a great honor to come to the Common Art Center to participate in the opening of the exhibition. Several participating artists are my very close friends. Let's briefly talk about my feelings about several artists: Because most of the works this time are works in the abstract category, we may look at it from the perspective of understanding of abstract art. The audience can't intuitively feel the preparation behind the artist. It can be said that many of the inspirations come from Chinese traditions, just like the "lacquer art" of artist Jin Junjie, and artist Ge Ziyu's understanding of space. Therefore, I hope that in the process of watching the exhibition, you will have some abstract aesthetic interest. You might as well feel the temporality and spatiality behind them from the artist's works, as well as the change of their colors and the musical rhythm of each work. I believe that this will bring us different gains. At the same time, I also wish the common art center and every artist participating in the exhibition will get better and better!
Most of the works in this exhibition are my latest creation this year. This batch of works extends the direction of my work in recent years, that is, to paint with paint, so that the painting returns to the visual ontology. The new works strengthen the writing of lines, so that concrete and abstract are dialectical to each other, and the color is more abundantly reflected than before. Due to the epidemic, it is a pity that I can't come to the scene to attend the opening ceremony. I wish the exhibition a success in Chengdu!
Thank you very much for your support and attention, and it is also a great honor to exhibit with several artists. The works exhibited in this exhibition are new works in the past two years. They are all abstract concepts extracted from the things and feelings of ordinary life. I hope you can find the epitome and resonance of the overlap with your own life in the work. Thanks again to the joint art center and the curators for their careful planning. Thank you all!
Artist Ge Ziyu
It is an honor to be invited to participate in this exhibition. Thank you, the common art center, the artists, and the guests who participated in the opening ceremony. I wish you a happy viewing! Happy holidays!
I am very happy to invite Mr. Meng Ye as the curator of this exhibition. The relationship between art and space is inseparable. We hope that the artist's works can be more than the collector's warehouse, and can really hang in more people's rooms, bringing some different feelings to his life. There is also a teacher Zhuang Hongyi, an artist far away in Amsterdam, the Netherlands, in this exhibition. The sense of space and light and shadow in his works are the most obvious, and his changes and visual experience created for everyone are also very unique. Therefore, the four artists selected for this exhibition are all expressed in combination with space and light, which also combines Mr. Meng Ye's understanding of space design. We hope to give you a different exhibition experience in the crossover process, and we can show our gallery to the audience and collectors in a more comprehensive way. Thank you. I wish you a happy exhibition!
LIVE STRAIGHT HIT
Group photo of guests at the opening ceremony
This exhibition gathers the works of four outstanding artists, with the theme of "OBJECT SHADOWY".
Four artists have different forms of expression, but they all have mature and charming artistic language, which together present rich expressions at the context level of reason and emotion, philosophy and poetry, geometric and expressive abstraction.
Feng Zhengquan's persistence for many years is to question the ontology of painting, with visual poetry and visual scepticism. He took the trouble to carefully describe the constituent elements that constitute the basic functions of art, in an attempt to deconstruct the vision of real ambition.
His art is to rethink reality with reality, to find and establish meaning with "meaninglessness". The works have a strong appeal and visual impact in terms of era, ideology and artistry.
Jin Junjie's work is a set of pituitary or swirling dynamic traces, with layers of different depths of light, knotting, rotating and flowing on the picture.
The special process comes from the process production procedures, from the laws of fluid physics, from the original manual accidents, from the spiritual mystery, these controlled and uncontrolled natures have formed a unique and eye-catching picture.
Artist Ge Ziyu has been building his own virtual world in the picture with traditional Chinese painting forms.
The cold abstraction of the photosensitive sequence shows us the virtual and reality of "view" and opens the depth of "view", pointing to the physical image space of the multidimensional transformation of light and shadow between the subjectivity and the guest.
In Zhuang Hongyi's works, the realistic petals are bright. He painted the paint and varnish on the petals of roses and lotus flowers, and pasted these petals on the works in a near-behavioural painting.
Finally, apply a layer of resin to this three-dimensional painting and appreciate it from a distance. You may think it is a flat painting.
When you walk in and watch, you will realise the interest of the collage, and when you move further to watch, you will also get a new feeling.
The symbolic performance of symbolisation at the level of visual art must have been successfully transformed through thinking, condensation and practice.
Special thanks: Thank you for the support and sponsorship of the LLADRO brand for this exhibition
EXHIBITION WORKS
Feng Zhengquan Works:
My Color 2022-06-01, Oil on Canvas, 50x50cm, 2022
My Color 2022-06-05, Oil on Canvas, 50x50cm, 2022
My Color 2022-07-03, Oil on Canvas, 50x50cm, 2022
My Color 2022-06-17, Oil on Canvas, 50x50cm, 2022
My Color 2022-05-22, Oil on Canvas, 50x100cm, 2022
My Color 2022-07-17, Oil on Canvas, 50x100cm, 2022
My Color 2021-11-15, Oil on Canvas, 50x100cm, 2021
My Color 2022-05-28, Oil on Canvas, 50x100cm, 2022
My Color 2022-06-22, Oil on Canvas, 50x100cm, 2022
My Color 2022-05-15, Oil on Canvas, 50x100cm, 2022
My Color 2022-08-10, Oil on Canvas, 100x100cm, 2022
My Color 2022-06-25, Oil on Canvas, 100x100cm, 2022
My Color 2022-07-30, Oil on Canvas, 100x100cm, 2022
My Color 2022-06-15, Oil on Canvas, 200x100cm, 2022
Jin Junjie Works:
Rainbow Rain, Acrylic on Wood Board, 200x150cm, 2022
Back Garden 5, Acrylic on Wood Board, 200x150cm, 2022
Traveling in the Spring Light, Acrylic on Canvas, 200x450cm, 2020-2022
The morning is a sika deer, Acrylic on Canvas, 150x150cm, 2022
Spring Wind, Acrylic on Canvas, 150x200cmX2, 2022
Red Cliff, 150x200cm, Acrylic on Wood Board, 2021
Waiting for the Wind, Acrylic on Wood Board, 120x120cm, 2020-2022
Starry Sky, Acrylic on Canvas, 200x150cm, 2022
Impression of Blue Mountain, Acrylic on Wood Board, 200x150cm, 2021
Ge Ziyu Works:
Zhuang Hongyi Works:
ZHY-S22154, Mixed Material, 150x120cm
More wonderful works
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