共同艺术中心于2025年12月14日呈现「哈哈，来一瓶！」艺术家吴松个展，聚焦艺术家吴松近年创作的绘画与雕塑作品，以茅台酒瓶这一文化符号为线索，展开一场关于日常物、凝视与内在精神的视觉思辨。展览由彭锋担纲学术主持，范轶、刘蕾共同策划，旨在引领观众透过寻常之物，探询表象之下丰富的情感与哲学层次。
Concordia Art Gallery presents "Let's grab a drink!"—a solo exhibition by artist Wu Song on December 14, 2025. The exhibition focuses on Wu Song's recent paintings and sculptures, using the cultural symbol of the Moutai liquor bottle as a thread to explore a visual meditation on everyday objects, gaze, and inner spirit. With Peng Feng serving as academic director and Fan Yi and Liu Lei co-curating, the exhibition aims to guide viewers to probe beyond surface appearances, delving into the rich emotional and philosophical dimensions beneath the ordinary.
吴松的艺术创作始终带有一种从容的观察与精妙的转译能力。他长期旅居香港，身处繁华的兰桂坊街区，却将那份闹市中的“疏离感”转化为创作的动力与视角。在他的笔下，酒瓶不再是单纯的消费符号，而成为具有独立生命与情绪的载体——时而如沉默的纪念碑，凝固时光的重量；时而又如微醺的舞者，在色彩与笔触间轻盈摇摆。这种对日常物的重构与提纯，既是对当代生活的敏锐捕捉，也是对自我内在世界的坦诚映照。展览持续至2026年1月21日。
Wu Song's artistic practice is consistently characterized by a composed observation and an exquisite transposition. Having lived in Hong Kong for an extended period, amidst the bustling streets of Lan Kwai Fong, he transforms the "sense of alienation" within the urban hustle into a driving force and perspective for creation. Under his brush, liquor bottles are no longer mere symbols of consumption but become vessels with independent life and emotion—sometimes like silent monuments, solidifying the weight of time; at other times, like tipsy dancers, swaying lightly amid colors and brushstrokes. This reconstruction and refinement of everyday objects reflect both a keen capture of contemporary life and an honest mirroring of his inner world.The exhibition runs until January 21, 2026.
展览现场
吴松的创作历程与地域变迁紧密相连。最初他创作过一两米高的巨大酒瓶画，这与他当时在香港的生活状态有关；后来他回到海口，身边一起喝酒的人少了，画中的酒瓶也随之变小。这个尺寸变化的阶段，也映射了他从香港到海口的适应过程。如今他在海口已如鱼得水，画中的情绪也变得更开阔、更喜悦。吴松的作品融合了版画的设计感、波普艺术的色彩和表现主义的肌理。这种设计意识并非生硬叠加，而是自然融入画作之中。
Wu Song's creative journey is closely intertwined with his geographical transitions. Initially, he painted enormous wine bottles measuring one to two meters in height, reflecting his life in Hong Kong at the time. Later, upon returning to Haikou, where fewer people joined him for drinks, the wine bottles in his paintings became smaller. This shift in size mirrored his process of adapting from Hong Kong to Haikou. Today, he has settled comfortably into life in Haikou, and the emotions conveyed in his works have grown more expansive and joyful. Wu Song’s art blends the structured sensibility of printmaking with the vibrant colors of pop art and the textured expressiveness of expressionism. This sense of design is not imposed but naturally integrated into his paintings.
近年来，他还将创作延伸至雕塑领域。这些雕塑既延续了其绘画中的视觉调性与波普元素，又保持了雕塑语言特有的质感，形成了绘画与雕塑之间鲜明的关联性。他的艺术理念质朴而深刻。当被问及希望观众从作品中感受到什么时，他回答：“很简单，就是让人开心。”这份“开心”并非轻浅的愉悦，而是历经人生起伏与岁月沉淀后，依然选择传递的乐观与通透。这份通过艺术传递的、带有生命厚度的开朗，正是他作品最动人的内核。
In recent years, he has extended his practice to sculpture. These sculptures maintain the visual tone and pop elements of his paintings while preserving the distinct material quality of sculptural language, creating a clear connection between his two-dimensional and three-dimensional works. His artistic philosophy is both simple and profound. When asked what he hopes viewers feel from his work, he replies, “Quite simply, to bring people joy.” This “joy” is not a superficial cheerfulness but an optimism and clarity forged through life’s ups and downs and tempered by time. It is this resilient, life-affirming brightness, conveyed through his art, that forms the most touching core of his work.
从最初接触吴松老师的作品时，我就感受到，它们绝非简单的视觉呈现。在他的画中，往往蕴藏着某种共鸣——那或许是我们与老友之间的情谊，又或是生命中某个令人动容的瞬间，都能在笔触与色彩间悄然浮现。我一直相信，真正的好作品，应当能够抵达人们的内心。它不必高高在上地炫耀技法，而应能与我们并肩而立，陪伴我们经历人生的每一时、每一刻。
From my initial encounter with Mr. Wu Song's works, I sensed that they were far more than mere visual presentations. Within his paintings, there often lies a certain resonance—be it the affection shared among old friends or a touching moment in life—all of which quietly emerges through his brushstrokes and colors. I have always believed that truly great works of art should touch people's hearts. They need not flaunt their technique from an elevated position but should stand alongside us, accompanying us through every moment of life.
正因如此，今天能有机会为吴松老师策展，我倍感荣幸。我也希望在未来的职业道路上，能更多地与吴松老师的作品同行，将他独特的艺术理念传递给业界，传递给每一位热爱艺术的人。在此，我要衷心感谢共同艺术中心再次给予我这份信任，让我们有机会共同呈现这场展览。希望大家今日在此，拥有一段美好的艺术体验。谢谢大家。
展览现场
It is precisely for this reason that I feel immensely honored to have the opportunity to curate this exhibition for Mr. Wu Song. I also hope that in my future professional journey, I can engage more with Mr. Wu Song's works, conveying his unique artistic philosophy to the industry and to everyone who appreciates art. Here, I would like to express my heartfelt gratitude to Common Art Center for once again placing their trust in me, allowing us to jointly present this exhibition. I wish everyone a wonderful artistic experience here today. Thank you all.
特别感谢各位朋友今天在这么冷的天气里依然莅临现场。正如吴松老师画作的主题“来一瓶”所传达的，此刻我们心中想必都暖意融融——因为他的作品就是如此动人，如此具有感染力。这一点我也深有同感，他的画一直深深吸引着我。作为一个同样爱酒的人，我格外感谢吴松老师能将多年来的心血与情感投射带到北京展出，与我们共享。再次谢谢大家。
First and foremost, I would like to extend my special thanks to all the friends who have joined us here today despite the cold weather. Just as the theme of Mr. Wu Song’s exhibition, “One Bottle,” suggests, I believe we all share a warm feeling in our hearts—because his works are truly moving and deeply resonant. I feel the same way; his paintings have always captivated me.As someone who also appreciates wine, I am especially grateful to Mr. Wu Song for bringing years of artistic dedication and emotional expression to Beijing, allowing us to experience and share in his creative journey.I’ll keep my remarks brief for now. Thank you all once again.
祝贺吴松展览圆满成功。他的首次个展我也曾到场，那同样是两年前在共同艺术中心。我与吴松相识多年，是旧友，是知交，也是酒友。看着他持续多年描绘酒瓶，笔耕不辍，让我倍感亲切。近来他画中的酒瓶似乎与以往不同，尺寸更显精巧，笔触也越发细腻丰富，充满了新的意蕴。也祝贺鲍禹，我们也是相识多年的老朋友了。最后，衷心感谢各位今天拨冗莅临，尤其感谢远道从海南赶来的朋友。谢谢大家。
Congratulations on the successful completion of Wu Song’s exhibition. I also attended his first solo exhibition, which was held two years ago at the Concordia Art Gallery. I have known Wu Song for many years—we are old friends, close companions, and drinking buddies. Seeing him persistently paint wine bottles for so many years, with unceasing dedication, fills me with a sense of familiarity. Recently, the wine bottles in his paintings seem different from before—their dimensions appear more delicate, and his brushwork has become more refined and intricate, brimming with new meaning. I also extend my congratulations to Bao Yu, another old friend I have known for many years. Lastly, I sincerely thank all of you for taking time out of your busy schedules to be here today, especially those who have traveled all the way from Hainan. Thank you, everyone.
展览现场
艺术家张方白先生现场致辞
吴松是一位很本能的艺术家，对待朋友真诚，画得也好，可以说是一位非常纯粹的艺术家。吴老师大概是两年一次展览吧，我每次都有去看，而且每次呈现的作品都完全不同。第一个感受是，作品数量依然很多，这像是吴老师生命状态的一种外化——始终饱满、旺盛。其次，他的作品每次都有新的表达方式，非常耐看，色彩浓郁强烈，这和他所受的表现主义训练与广美背景是分不开的。第三点，我觉得“酒”这个主题始终贯穿他的创作，成为他艺术的一种动力。他平时也喝酒，酒既激发他的绘画冲动，也成为他与时代、与观众精神沟通的媒介，这一点很有意思。在我看来，吴松凭借酒与他那浓烈的绘画语言，确实在中国当代绘画中写下了精彩的一页。
Wu Song is an instinctual artist—sincere with friends, and his paintings are equally compelling. One could say he is a truly authentic artist. Mr. Wu holds an exhibition about once every two years, and I have attended each one, always finding the works completely different from before. My first impression is that the volume of work remains substantial, reflecting Mr. Wu’s vital creative energy—always full and vigorous. Secondly, his works constantly explore new forms of expression, deeply engaging and marked by intense, rich colors, which undoubtedly connects to his training in expressionism and his background at the Guangzhou Academy of Fine Arts. Thirdly, I believe the theme of "wine" runs consistently through his creations, serving as a driving force in his art. He drinks in daily life, and wine not only stimulates his impulse to paint but also acts as a medium connecting him with the spirit of the times and the audience—a fascinating aspect. In my view, through wine and his powerful painterly language, Wu Song has indeed contributed a remarkable chapter to contemporary Chinese painting.
展览现场
感谢策展人范轶、刘蕾与艺术家孟禄丁为展览助力。吴松曾于2023年在共同艺术中心举办个展「酒中」，此次再度围绕“酒与瓶”主题呈现新作，源于他长期的艺术执念——绘制千只酒瓶，并在瓶与瓶、酒与酒、色与色之间捕捉细微差异与独特本质。本次展览亦隐含一层学术思考：在当代艺术常被视为疏离与晦涩的语境下，我们试图探索一种“松弛”的美学。这既体现于作品主题——酒意所象征的敞开与通透，也呼应艺术家本人的创作状态：吴松在创作中极为严谨，甚至布展细节皆亲手把控；而在艺术之外，他却保有一份洒脱与轻盈。
展览现场Thanks to curator Fan Yi, Liu Lei, and artist Meng Luding for their contributions to the exhibition. Wu Song held a solo exhibition titled "In the World of Wine" at the Concordia Art Gallery in 2023. This time, he returns with new works centered on the theme of "wine and bottles," driven by his long-standing artistic obsession—painting a thousand wine bottles and capturing the subtle nuances and unique essence between bottle and bottle, wine and wine, and color and color. The exhibition also carries an underlying academic reflection: in a contemporary art context often perceived as detached and obscure, we attempt to explore an aesthetic of "relaxation." This is reflected both in the theme of the works—the openness and clarity symbolized by the essence of wine—and in the artist’s own creative approach. Wu Song is highly meticulous in his artistic practice, even overseeing the details of the exhibition layout himself. Yet, beyond art, he maintains a carefree and lighthearted demeanor.
这种介于控制与舒展之间的张力，恰似微醺之后身心自在的平衡，也暗示了一种当代艺术可亲近的感性路径。展览置于2025年岁末初雪之际，愿借由画中酒意，为观者带来一丝温润与松弛。愿吴松的作品在此间获得更多共鸣，也邀请观众放松心情，沉浸于「哈哈，来一瓶！」。
This tension between control and release is akin to the balanced ease of body and mind after a light intoxication, suggesting an accessible, emotional path for contemporary art. Set against the first snow of late 2025, the exhibition hopes to convey a touch of warmth and relaxation through the spirited essence captured in the paintings. May Wu Song’s works resonate widely in this space, and we invite viewers to unwind and immerse themselves in the spirit of “Let’s grab a drink!”
策展人范轶
艺术家吴松
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