「Stream of Consciousness and Rhizome」 Zhu Dan’s Solo Exhibition:

2023.12.23-2024.01.18

图片

640.jpeg
640-1.jpeg
640-2.jpegExhibition site

Stream of Consciousness and Rhizome


The exhibition "Yiliu and Roots" presents Zhu Dan's "Garden" and "Yi" series. Behind the colorful "Garden" series, Zhu Dan fixes the ever-changing life process of flowers, plants, and trees on the canvas; The deep layers of jumping strokes in the "Yi" series are simulated by Zhu Dan using fragments of "human" and "body" to depict a constantly changing consciousness.


640-3.jpeg
640-4.jpegExhibition site


The term Rhizome, derived from the philosophical theory of French philosopher Deleuze, represents an open, non central, irregular, and diverse form and vitality. In Deleuze's theory, "rhizome" is not just a botanical concept, nor even a fixed concept. As a "world structure", "rhizome" generally refers to the state of all integrated things, in a continuous process of "domain decomposition and re domain".


640-5.jpeg

640-6.jpegExhibition site

Under this concept, the "flower" and "body" in Zhu Dan's paintings no longer only refer to plants and humans themselves. As a record of Zhu Dan's daily life and feelings at every moment, the process of painting showcases the process of consciousness generation. The actions of painting become a place for the production of ideas and a stream of desire generation. The flowing colors resembling waterfalls, short and powerful lines, sudden color spots, and intense color blending appear in the interior and surface of the picture in an inexplicable yet extremely dramatic way, reproducing, deriving, grafting, and producing each other and shaking each other in countless climaxes.

640-7.jpeg
640-8.jpegExhibition site


Gardens and tree shadows, starry nights and fleeting years, life cycles and infinite worlds, and so on, which were once fixed by other images, are no longer occupied by established things in the constantly generated, disintegrated, and regenerated images depicted by Zhu Dan. The screen is exceptionally rich in colors and brushstrokes, which are also vastly different. The veins no longer follow the branches of a large tree. On the contrary, the branches and leaves are intertwined, playful, interwoven, resonating, conspiring, and then confronting and confronting, becoming images that never stop moving, connecting and exchanging information aimlessly, and releasing illusions without restraint.


640-9.jpeg


640-10.jpeg

Exhibition site


This is a refresh of the painting style, with such complex and ever-changing movements. For Zhu Dan, "motion" is the explicit aspect of his creation, while "kinetic energy" is an important concept, which also includes the rediscovery and reinvention of "kinetic energy". On the one hand, as long as there is "movement", it means breaking through the boundaries of solidification: moving in linear time to break through the boundaries of time; Moving in visible space to enter invisible space; Escape from the fixed image and destroy the determined part.


640-11.jpeg 640-12.jpegExhibition site


On the other hand, recklessly wandering and throwing the "body" into an endless process of movement, as Zhu Dan's work method of painting and practicing, is driven and controlled by the restless and emotional "desire machine" that is rich in life, driving the infinite movement.


640-13.jpeg
640-14.jpegExhibition site

People confirm their "world" because of the concept of "me", but they also forget the symbols and memories that other things create. Just like vocal cords are not only used for sound communication, they can also be used to confirm space. A certain color is only named by a certain text, and the so-called real world is only a temporarily realized world. The unrealized potential world will also be led to because of infinite kinetic energy.


640-15.jpeg
640-16.jpegExhibition site


Here, we may understand the viewer's feelings when watching Zhu Dan's paintings. He always gives the viewer a new perception in another form when we are about to understand, and tells us that the current picture is just one specific way of implementation, and there are more possibilities that have never been, and should not be bound by this moment.


640-17.jpegExhibition site


The exhibition starts with Zhu Dan's abstract paintings and completes a dialogue about cross-border with the spiritual furniture of Ronglin Liangchen. Ronglin Liangchen is inspired by "the beauty of every second" and has been developed and designed by Ronglin Home in collaboration with renowned designers Liang Jianguo and Zhou Chenchen, dedicating three years to polishing. The Liangchen series is a product that integrates international design language with Eastern culture. It not only retains the oriental heritage and the specifications suitable for Easterners, but also highlights the contemporary urbanites' pursuit of future technology and simple quality. Its simple shape and delicate texture are rich in changes, which can comfortably match the current pace of technological life and also interpret the new simplicity of Chinese home furnishings.


640-18.jpeg


640.pngExhibition site

Within the gathering of consciousness and the flow of thought, outside the familiar territory, art, life, and concepts are constantly updated to irrigate and nourish the spiritual realm, expanding the dimensions of perception. This "cross-border" and "dialogue" challenge traditional concepts while attempting to create a realm of consciousness that transcends reality, allowing the exhibition "flow of ideas and roots" to serve as a carrier of art itself, and become a profound inquiry into the origin of life, the essence of art, and human consciousness.


640-19.jpeg
640-1.pngExhibition site




「Stream of Consciousness and Rhizome」ZhuDan’s Solo Exhibition


2023.12.24-2024.1.18

Curator: Liang Jianguo、Huo Yujia


Common Art Center



640-20.jpeg


640-21.jpeg


640-22.jpeg

Exhibition site


On the afternoon of December 24th at 4:00 pm, the Joint Art Center presented a solo exhibition of "Yiliu and Roots" by Zhu Dan. This exhibition was coordinated and presented by curators Liang Jianguo and Huo Yujia. Artist Zhu Dan has been studying in Australia since childhood, and his works are deeply influenced by Australian indigenous artists. In his creations, he integrates the vitality of the earth's nature with ritualistic spiritual expression.


640-24.jpeg
640-25.jpegExhibition site


This exhibition incorporates the artist's original desire for "life" and profound reflection on the spiritual state of "existence". The work reveals a true expression that strikes directly at the heart of the heart, and openly conveys the relentless pursuit of the meaning of life. The exhibition presents the artist's personal garden, the passage of time, and instantaneous writing. These subtle moments in life are both the endpoint and the starting point, presenting the artist's unique insights into the ups and downs of life.


640-26.jpeg

640-27.jpeg

Exhibition site


Zhu Dan firmly believes that art is the habitual memory of daily life, and his works draw profound insights from the moments of life. Each sketch aims to break through the limitations of space and reveal the true essence of human nature. The exhibition will continue until January 18, 2024.


640-28.jpeg


640-29.jpegExhibition site






Dialogue Scene of "Stream of Consciousness Moment"

In this exhibition, "flow of ideas" became the core theme that artist Zhu Dan deeply pondered and expressed. He captures the ever-changing life processes of nature through the Garden series, while using jumping strokes and deep meanings in the "Meaning" series to explore the emotional changes in the human inner world.

640-30.jpegDialogue Scene of "Stream of Consciousness Moment"


The entire exhibition presents the artist's unique insights into life, time, and human nature through this theme, allowing viewers to deeply contemplate and feel the flow and changes of inner emotions. "Yiliu" is not only an observation of the external world, but also a profound analysis of inner emotions and thinking, bringing a profound artistic experience to the audience.


640-31.jpegFamous artist and educator, Teacher Tan Ping

The opening ceremony of this exhibition has added a dialogue section on the moment of flow of ideas. Famous artist and educator Professor Tan Ping, internationally renowned designer and curator of this exhibition, Professor Liang Jianguo, and Mr. Qi Lin, founder of Ronglin Shijia, participated in this forum. The forum engages in a dialogue on the collaboration between artist Zhu Dan's artistic creations and Ronglin Liangchen's spiritual furniture products, showcasing the complexity and opposition of abstract art. The dialogue highlights the complexity of today's young artists. As a young artist studying abroad, Zhu Dan's worldview is still based on his hometown. The study abroad experiences of different countries make it difficult for Zhu Dan's art to be summarized in a single vocabulary. The dialogue emphasizes that in today's society, the independence of abstract works no longer exists. Abstract art presents new possibilities between people, environment, and furniture.

640-32.jpegProfessor Liang Jianguo, an internationally renowned designer and curator

Internationally renowned designers The curator of this exhibition, Liang Jianguo, stated in a dialogue: When we discuss the relationship between art and design, art should be integrated into life and space, jointly building a simple and rich high-quality aesthetic norm. They need to inject inspiration into each other, generate deep connections and resonance, and form a love exchange. This fusion not only creates beauty in form, but also seeks commonalities in creation, incorporating art and design into daily life, making it a part of life The synergy of quality in the field makes art no longer isolated and design no longer simple, but rather creates a richer and more vibrant cultural space through mutual inspiration.


640-33.jpegMr. Qi Lin, founder of From Roling
640-34.jpegArtist Mr. Zhu Dan



Christmas Eve check-in ceremony

The opening ceremony was also an annual Christmas Eve, including Mr. Liu Xu, Honorary President of the China Interior Decoration Association, and Ms. Zhang Li, President of the China Interior Decoration Association; Mr. Tan Ping, a renowned artist, educator, director of the Experimental Art Committee of the China Artists Association, and director of the National Contemporary Art Center of the China Academy of Art Research; Mr. Wang Zhong, Professor and Doctoral Supervisor of the Central Academy of Fine Arts, Dean of the Urban Design and Innovation Research Institute of the Central Academy of Fine Arts, and Director of the Display Art Professional Committee of the China Interior Decoration Association; Mr. Liang Jianguo, an internationally renowned designer and founder of Manufacturing · China; Ms. Wang Chunqing, Secretary and Director of the Beijing 798 Art District Management Committee; Ms. Xiao Ge, Editor in Chief, Art Director, Famous Artist, and Curator of Phoenix Art; Mr. Jonas Stampe, Senior Curator and Senior Researcher at the Red Brick Art Museum; Mr. Qi Lin, founder of Ronglin Shijia; Mr. Zhu Dan, a contemporary artist; Ms. Zhang Huanrong, Executive Secretary General of the Decoration Art Professional Committee of the China Interior Decoration Association, and several other distinguished guests were invited to attend the opening ceremony.

640-35.jpegVIP check-in


The distinguished guests happily left precious signatures on the Christmas tree at the Common Art Center, spending a Christmas night with the on-site audience that blended art and design. This opening ceremony not only adds unique brilliance to the festival, but also provides a rare opportunity for the intersection of art and design, integrating the festive atmosphere with artistic creativity.

640-36.jpegVIP check-in



Acknowledgement
From Roling
Support for this exhibition


640-2.png

640-37.jpeg

640-38.jpegExhibition site




640-3.png640-26.jpeg
「Stream of Consciousness and Rhizome」
For the 11th Beijing Huimin Cultural Consumption Season
One of the key activities of the Art Capital section



About Artist

640-40.jpegArtist Zhu Dan

Swipe up and down to view more information

Education

2009 Australian National University Oil Painting Department, awarded an honorary degree

2008 Bachelor's degree in Oil Painting from Australian National University


Soho Exhibitions

2023 "Yiliu and Roots", Joint Art Center, solo exhibition, Beijing, China

2023 "Endless Meangless" solo exhibition, Shenzhen, China

2023 "The Infinite Realm of Dan Zhu's Art" H Gallery, M50, Solo Exhibition, Shanghai, China

2023 "Boundless Boundaries" Horizontal Art Museum, solo exhibition, Hangzhou, China

2022 "Infinity" Every Night&Kirin ART Art Museum, Solo Exhibition, Hangzhou, China

2018 Kaleidoscope Kaleidoscope, Tenjin, Solo Exhibition, Fukuoka, Japan

2009 Zhu Dan's solo exhibition was held at the National University Museum of Art in Canberra, Australia


Group Exhibition

2023 "Gazing Realm" Contemporary Art Group Exhibition, also known as Xuan Gallery, Xiamen, China

2023 "Art Xiamen" Expo, Group Exhibition, Xiamen, China

2023 "Sijin Fansheng" H Gallery, M50, Group Exhibition, Shanghai, China

2023 ART021 Contemporary Art Expo, Phoenix Art, Expo, Shanghai, China

2023 "2023T&ARTCON Fashion Expo", Phoenix Art Expo, Shanghai, China

2023 "Instant and Eternal" Art First Exhibition, Art Center, Group Exhibition, Hangzhou, China

2023 "One ton Myth" River Art Center, Group Exhibition, Hangzhou, China

2023 VIKI LULU HOUSE Joint Artist Special Exhibition, Lu Rongzhi with Gao Xiaowu&Zhao Xiaoli&Zhu Dan, Shenzhen Zhongzhou Bay MMC VIP Room, Group Exhibition, Shenzhen, China

2023 Chaopai2023 The First China New China-Chic Art Exhibition, Shangshang International Art Museum, Group Exhibition, Beijing, China

2022 "Extreme Complexity Beyond Fluorescence" Large Offline Lighting Installation, Lu Rongzhi&Zhu Dan, Longhu Hangzhou Zijing Tianjie, Hangzhou, China

The 3rd Art Exhibition of "Modern Version of Fuchun Mountain Dwelling in Fuyang" in 2022, Hangzhou Gongwang Art Museum, Group Exhibition, Hangzhou, China

2022 "China-Chic Sings of the Prosperity, Jointly Enjoying the Prosperity", Putuo District New Social Stratum Celebrates the 20th CPC Calligraphy and Painting Exhibition and Concert, Shanghai M50, Group Exhibition, Shanghai, China

The 3rd National Art Expo 2022 Blue Moon, Wuhan International Convention and Exhibition Center, Group Exhibition, Wuhan, China

2022 E238 ART Art Expo, Shangri La, Shenzhen, Group Exhibition, Shenzhen, China

2022 "Art Container" 2022 First Yoho Art Life Festival, Group Exhibition, Hangzhou, China

2022 "Western Shadow · Wah" Wah Art&Shaanxi Film Studio, Group Exhibition, Xi'an, China

2022 "Striving for a New Era and Building a New Paradise" Hangzhou Celebrating the 20th National Congress of Calligraphy, Painting, and Seal Engraving Works Exhibition, Zhejiang Art Museum, Group Exhibition, Hangzhou, China

2022 "On HUA" AWAKE Art Space, Twin Exhibitions, Shenzhen, China

2022 Space Station Opening Exhibition, Group Exhibition, Hangzhou, China

2022 "First Metaverse Art Annual Exhibition @ Venice", Venice Biennale, Group Exhibition, Venice, Italy

The 4th Zhejiang Province Comprehensive Art Biennale "Water Droplets Piercing Stones" 2021, Lishui Art Museum, Group Exhibition, Lishui, China

2021 "Dialogue Experiment" Contemporary Artists Exhibition, Zhiqiyou Art Center, Group Exhibition, Xi'an, China

2021 "Fuchunjiang Zan" Art Exhibition, Gongwang Art Museum, Group Exhibition, Hangzhou, China

2021 "Abstract Drama" Zhiqiyou Art Center, Double Exhibition, Xi'an, China

2017 "Youth Violence and Bullying" Public Welfare Exhibition, San Carlo Plaza, Group Exhibition, Turin, Italy; The work is collected by the Italian Public Welfare Education Group

2017 "Artist's Vision", Gallery 8, Group Exhibition, Turin, Italy

2016 Vaniglia (Vanilla), Free Thinking, Double Exhibition, Turin, Italy

2014 Zhejiang Province First Comprehensive Art Exhibition, Ningbo Art Museum, Group Exhibition, Ningbo, China



1701251945188099.jpg



http://www.commonartcenter.com

weibo:共同艺术中心

Instagram:commonartcenter

Facebook:Common art center 

Common Art Center, 707-b03 Hongshi Square, No.2 Jiuxianqiao Road, Chaoyang District, Beijing, China



Founded in 2015, Common Art Center is the first contemporary art gallery with a crowdfunding membership system in China. The Common Art Center is jointly initiated by experienced curators, art dealers, collectors and other professionals in the field. It is committed to providing professional collection solutions for contemporary art collectors with a new business model. The gallery takes "paper" as the medium and works of media as its main research and management direction, because of the importance of such works in the Chinese art system and the broad development prospect in the future. Using paper and folk art as the medium, the excellent artists make paper as a tool to resist its fate, allowing it to get rid of the veil of function and reveal its own artistic value.